Metropolitan Opera Broadcast: The Tempest 

Broadcast of Saturday, December 29, 1:00 P.M.

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A scene from Robert Lepage's production of The Tempest at Festival Opéra de Québec, 2012
© Nicola Vachon 2012
The 2012–13 Metropolitan Opera broadcast season is sponsored by 
Toll Brothers, America's luxury home builder®, with generous long-term support from 
The Annenberg Foundation, The Neubauer Family Foundation,
the Vincent A. Stabile Endowment for Broadcast Media,
and through contributions from listeners worldwide.
The Tempest
Music by Thomas Adès
Libretto by Meredith Oakes, based on Shakespeare
Archive production from the Met-premiere run, Fall 2012 

THE CAST      (in order of vocal appearance)
Miranda     mezzo, ISABEL LEONARD
Prospero     baritone, SIMON KEENLYSIDE
Ariel     soprano, AUDREY LUNA
Caliban     tenor, ALAN OKE
Ferdinand     tenor, ALEK SHRADER
Stefano     bass, KEVIN BURDETTE
Trinculo     countertenor, IESTYN DAVIES
Antonio     tenor, TOBY SPENCE
Sebastian     bar., CHRISTOPHER FEIGUM
Gonzalo     bass-baritone, JOHN DEL CARLO
King of Naples     tenor, WILLIAM BURDEN

Conducted by THOMAS ADÈS

The Metropolitan Opera Orchestra
The Metropolitan Opera Chorus

Production: Robert Lepage
Set designer: Jasmine Catudal
Costume designer: Kym Barrett
Lighting designer: Michael Beaulieu
Video designer: David Leclerc
Choreography: Crystal Pite
Chorus master: Donald Palumbo
Musical preparation: Bradley Moore,
     Caren Levine, Natalia Katyukova,
     Matthew Aucoin, Timothy Redmond
Assistant stage directors: Rebecca Blankenship,
     Gregory Anthony Fortner,
     Peter McClintock, Sarah Ina Meyers
Assistant choreographer: Katherine Cowie
English coach: Felicity Palmer

Production a gift of Mrs. Bert S. Turner and
     Robert L. Turner
Additional funding from
     the Wyncote Foundation,
     as recommended by Frederick R. Hass
     and Daniel K. Meyer, M.D.

A coproduction of the Metropolitan Opera,
     L'Opéra de Québec, and the Wiener
     Staatsoper, Vienna
In collaboration with Ex Machina

THE SCENES  Timings (ET)
Prospero's Island  
ACT I1:00–2:24
ACT II2:49–3:39

Host: Margaret Juntwait
Commentator: Ira Siff
Music producer: Jay David Saks
Producers: Mary Jo Heath, Ellen Keel,
     William Berger
Executive producers: Mia Bongiovanni,
     Elena Park

For more information on the broadcasts,
     please visit

Send quiz questions to:
     Metropolitan Opera Quiz
     Metropolitan Opera
     30 Lincoln Center
     New York, NY 10023
     or e-mail

This performance is also being broadcast
     live on Metropolitan Opera Radio on
     SiriusXM channel 74.


Prospero has been usurped as Duke of Milan by his brother, Antonio. With the support of the King of Naples, Antonio had Prospero put out to sea on a rotting ship with his daughter, Miranda. They survived thanks to the King's counselor, Gonzalo, who supplied them with food and clothing. They ended up on an island where they now live. Meanwhile, Antonio enabled the King of Naples to take control of Milan. 

ACT I. Miranda suspects that the magic practices of her father, Prospero, are responsible for a huge storm that has sunk a passing ship. Prospero informs her that the people on board were the court of Naples. They are his enemies, whom he has shipwrecked in order to punish. He recounts the story of being usurped and conjures his daughter to sleep. Prospero then summons his spirit, Ariel, who describes to him how the tempest has destroyed everyone on board the ship. Prospero instructs Ariel to revive them and bring them to the island. 

Caliban appears, heir to the late ruler of the island, Sycorax. Prospero's power keeps Caliban from his rightful inheritance, and he curses Prospero for mistreating him. Caliban, lusting after Miranda, is threatened by Prospero, then banished to his cave.

Ariel reports on the shipwrecked, now brought ashore and restored. Prospero orders Ariel to bring him Prince Ferdinand, son of the King of Naples. Prospero wants the King and the courtiers to suffer by thinking that Ferdinand has drowned. In exchange for this help, Ariel asks to be released from servitude. Ariel sings of the fate of Ferdinand's father, thereby luring Ferdinand ashore. There, he finds Miranda, who wakes, thinking him a creation of Prospero's. She wonders at the sight of another human and they fall instantly in love. Prospero is startled that his spell on Miranda has been broken and is angered by Ferdinand's interest in his daughter. He immobilizes Ferdinand and sends Miranda away. He then calls on Ariel and prepares to further his vengeance on the rest of the court.

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A scene from Robert Lepage's production of The Tempest at Festival Opéra de Québec, 2012
© Louise Leblanc/Quebec Opera 2012

ACT II. Washed up on the island, the courtiers discover no trace of the storm; it is tranquil and their clothes are dry and in perfect condition. Stefano and Trinculo are confounded by the lack of damage and drunkenly relive the terror of the storm. Unseen, Prospero instructs Ariel to taunt the court. The King weeps for his lost son and Gonzalo tries to give him hope. Antonio says he saw Ferdinand swimming toward the land, but, using the voice of Sebastian, the King's brother, Ariel insults Antonio and an argument begins. Caliban appears and is mocked by the courtiers who give him jewelry and alcohol, which he feels makes him strong. The sound of Ariel's voice is heard, frightening the courtiers who believe it to be a ghost. They are calmed as Caliban describes the sounds and voices of the spirits of the island, which make him dream he's in paradise. Asked who his master is, Caliban is silenced by Prospero. Gonzalo presses the group to search through the jungle for the prince.

Stefano and Trinculo doubt that Ferdinand will be found alive. Caliban tells them that his master is responsible for the disaster and asks for their help to regain his land. In exchange, Caliban falsely offers Trinculo and Stefano both Miranda's hand in marriage and kingship of the island.

Ferdinand faces a future of imprisonment on the island, but he is comforted by the thought of Miranda. She expresses her feelings for him and Ferdinand replies in kind. This breaks Prospero's spell and Ferdinand is released. As they leave, Prospero realizes he has lost Miranda to a stronger power than his own: love.

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Simon Keenlyside in costume as Prospero in Thomas
Adès's The Tempest
© Anne Deniau/Metropolitan Opera 2012

ACT III. Stefano and Trinculo are nearing Prospero, and Caliban contemplates his approaching freedom. Meanwhile, Ariel has led the shipwrecked on a twisted journey across the island. He asks to be released, but Prospero won't yet let him go.

The King and courtiers enter, so weak they can hardly walk. They believe they will all die of hunger and that Ferdinand is dead. The King decides to disinherit his brother, Sebastian, and nominates Gonzalo as his heir.

Lulled by Ariel's music, everyone falls asleep except Antonio and Sebastian. They plot to murder both the King and Gonzalo in order to seize power. Ariel wakes everyone, and Sebastian and Antonio claim to have heard strangers about. Ariel causes a strange feast to appear, which Gonzalo sees as a sign of beneficence from heaven. Gonzalo dwells on the thought of reigning over a land such as this. The food vanishes and Ariel appears as a harpy, leveling crimes against the courtiers who now face a wasting, slow extinction. Afraid, they all flee to another part of the island.

Prospero realizes that through his magic he has brought hell to the island. Miranda takes Ferdinand to Prospero and tells him that they are in love. Prospero summons Ariel to bless them. Prospero's revenge being done, Ferdinand discovers that his father is still alive. Caliban enters and demands Miranda for himself. Miranda rejects Caliban, and Prospero immobilizes him. Ariel describes how the King and Antonio are demented with fear and horror. If he were human, Ariel would pity them. Moved by the spirit's feelings, Prospero resolves to be merciful and vows to release Ariel within the hour.

The King and courtiers appear, and Prospero reveals himself to them. Antonio, who thought he had killed Prospero, is astonished, and the King asks to be forgiven. Prospero reveals Ferdinand and Miranda to the King, who can barely believe his son is alive. Ferdinand introduces Miranda as his wife. The courtiers are surprised to find both their prince living and their ship repaired, and the King announces the match between Naples and Milan. Prospero offers forgiveness to Antonio, who rejects it. Prospero resolves to relinquish his magic powers. As he breaks his staff, he begs Ariel to stay with him, but Ariel flies away to freedom. Caliban is left alone on the island.

Reprinted courtesy of the Royal Opera House, Covent Garden 


The Tempest, Thomas Adès's second opera, had its world premiere in a production by Tom Cairns at the Royal Opera House, Covent Garden, on February 10, 2004.  Adès conducted the premiere run. Alan Gilbert led the U.S. premiere of The Tempest, staged by Jonathan Kent for Santa Fe Opera in 2006. The Met premiere of The Tempest, staged by Robert Lepage and conducted by Adès, took place on October 23, 2012. Simon Keenlyside, who created the role of Prospero at the 2004 world premiere, headed the Met cast, joined by Isabel Leonard (Miranda), Alek Shrader (Ferdinand), Audrey Luna (Ariel) and Alan Oke (Caliban). spacer 

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