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Master of the House
, San Francisco Opera’s new general director, shares his hopes for the company.
by F. Paul Driscoll.
The Lion in Autumn
will celebrate the fiftieth anniversary of his first Met appearance. He talks about his move into baritone repertoire—and the reaction of the critics. b
y Fred Cohn.
Digital Edition | December 2015
View the entire December 2015 issue with our online reader.
, who sings Rosalinde in
at the Met this month, has a very well-ordered outlook on life.
by Louise T. Guinther. Photographs by Dario Acosta.
Marketing opera seems to get more complicated every year. How can
—and keep them?
by Matthew Sigman. Illustration by Robert Neubecker.
From the Inside Out
One of opera’s all-time great stage directors,
, is still passionate about the art form.
by James Kuslan.
Road Show: Sondra Radvanovsky in Chicago
offers a hometown girl’s look at the
by Eric Myers.
The Alchemy of Music
A Pulitzer Prize-winning playwright writes about adapting the novel
for the opera stage.
by Nilo Cruz.
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When it comes to pruning an operatic CD collection, the experience is often not one of regret, but relief.
was by far the most enjoyable and thought-provoking New York has heard in many years.
In December, Irish mezzo Tara Erraught makes her New York recital debut at Carnegie’s Weill Recital Hall.
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Conductor Stephen Lord, Longtime Opera Theatre of Saint Louis Music Director, to Take on Emeritus Title Following 2017 Season
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, Twelve-Day Fall Festival Featuring Twenty-Five Performances of Seven Operatic Events, in 2017
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Boston Lyric Opera Announces Plans to Vacate Shubert Theatre, Company's Home of Two Decades
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