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is alive and well on the New York opera scene, as the fresh approaches of three of Manhattan’s up-and-coming young producers attest.
by Matthew Sigman. Photographs by Kevin Thomas Garcia.
The Edge of Innovation
opera-theater creations defy easy categorization—and that’s the way she likes it.
by Adam Wasserman.
The Short, Happy Life of Gotham Chamber Opera
of an enterprising New York company remains a puzzlement.
by Allan Kozinn.
On the Road with The Industry
Avant-garde producer Yuval Sharon experiments with
by Matthew Worley.
AMERICAN LYRIC THEATER
offers a master’s program in creating new opera.
by Frank J. Oteri.
New Rules of Engagement
brings an art film to lyric life.
by Matthew Worley.
Road Show: Heidi Stober in Berlin
loves life in the German capital.
by Eric Myers.
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Celebrating the 80th Anniversary of
with seminal articles and excerpts from our archives that have never before appeared on our website.
With a cast of four superb singing actors, West Edge Opera’s excellent, unbuttoned production of Thomas Adès's
Powder Her Face
brought an atmosphere of nostalgia and humanity that kept the work's raunchy humor in perspective.
Featuring Klaus Florian Vogt in the title role, Bayreuth's new production of
was technically and musically impeccable, catapulting the festival to Olympus-like heights.
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Daniela Dessì, 59, Most Versatile Italian Soprano of her Generation, Has Died
Derailed in Milan, Stefan Herheim's
Staging No Longer Slated for Met's 2019-20 Season
Patrice Munsel, 91, Soprano Who Found Success in Operatic and Popular Music, has Died
French Soprano Elsa Dreisig and South Korean Tenor Keonwoo Kim Win Top Prizes in Plácido Domingo's Operalia Competition
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