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may have the most exciting tenor voice in opera, and the careful calculation behind his career is paying off. This month, he stars in
at the Paris Opera.
By Brian Kellow.
Photographed by Coral von Zumwalt at Inn at the Presidio.
The Salzburg Connection
Salzburg Festival president
has guided a cultural jewel into the twenty-first century.
by Fred Cohn.
brings her singular style to
Pelléas et Mélisande
by Jessica Duchen.
La Petite Maison
, director of the Opéra de Monte Carlo, is also one of the busiest stage directors in Europe.
by Sheila Johnston.
Road Show: Claudia Boyle in Dublin
The Irish soprano offers a true Dubliner’s look at the Irish capital.
by Brian Kellow.
Exit the King
, one of the most distinguished opera administrators in U.S. history, steps down after a decade at San Francisco Opera.
by F. Paul Driscoll.
The Scarlet Letter
has traveled a long road to its professional premiere at
this month—but the composer never stopped believing it would happen.
by Matthew Sigman.
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Celebrating the 80th Anniversary of Opera News with seminal articles and excerpts from our archives that have never before appeared on our website.
Soprano Amy Shoremount-Obra returns to the Verdi repertoire this month, when she sings her first performance of the Requiem with the National Chorale at David Geffen Hall.
On the Beat
Sarasota Sempreverdi: Todd Thomas wraps up Sarasota Opera’s monumental Verdi cycle with
La Battaglia di Legnano
Tweets by @OPERANEWS
Met Opera Taps Sondra Radvanovsky to Replace Anna Netrebko in
Slated to Open 2017-18 Season
Soprano Anna Netrebko, Forgoing Role of Norma, Withdraws from Slated Royal Opera and Met Productions
Brian Asawa, 49, Countertenor Who Found Acclaim on U.S. and International Stages, Has Died
Capping an Historic Tenure, James Levine to Retire as Metropolitan Opera Music Director at the End of the Current Season
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