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In Opera San Antonio’s double bill of
Segreto di Susanna
, Anna Caterina Antonacci applied an enormous palette of vocal colors and inflections to portray a woman losing control.
Antony McDonald’s new staging of
Tristan und Isolde
at Opéra National du Rhin at first seemed overly blasé and static, yet assumed a cumulative power as the evening progressed.
LoftOpera's performance of
had musical and theatrical integrity to spare, but was also playful and unpretentious, taking grand-opera grandiosity down to more modest earthly conditions.
April 2015 — VOL. 79, NO. 10
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The Metropolitan Opera Guild Appoints Thomas M. Martin as Managing Director
Andrew Porter, 86, Longtime
Critic Whose Prose and Musical Discoveries Changed Opera, Has Died
Contralto Maria Radner and Bass-Baritone Oleg Bryjak Killed in Germanwings Flight Crash in French Alps
Nicholas Brownlee, Marina Costa-Jackson, Joseph Dennis, Reginald Smith, Jr. and Virginie Verrez Named as Winners of Metropolitan Opera's National Council Auditions
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