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Morgan Smith has rugged good looks, striking intelligence, charismatic stage presence and a powerful baritone of mingled velvet and steel — yet he considers himself a work in progress.
Opera San Antonio's chamber version of
Fantastic Mr. Fox
, the fledgling company's first fully-staged production, signaled its intention to brook no compromises.
Glyndebourne’s live recording of
is unusually satisfying, thanks to conductor Vladimir Jurowski and the lyrical Hans Sachs of Gerald Finley.
October 2014 — VOL. 79, NO. 4
Tweets by @OPERANEWS
Rita Shane, 78, Dramatic Coloratura Who Found Acclaim at New York City Opera and the Met, has Died
Rome Opera Fires Entire Orchestra, Chorus in Response to Labor Unrest and Slashed Funding
San Francisco Opera General Director David Gockley to Retire at End of 2016 Season
Riccardo Muti, Citing Labor Discord and Infighting, Resigns as Rome Opera's De Facto Music Director
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