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This week, the "Arts, Briefly" section of The New York Times included the rather offhand announcement that the Met "recently reached an agreement with the authorities at the Cairo Opera House to show productions there this season." Audiences in distant Cairo will now be privy (via the company's series of Live in HD transmissions) to a whole slew of performances taking place on the Met stage even as they watch.

We take such technological marvels in stride nowadays, but what, one wonders, would Verdi have made of this development? Back in 1871, it took endless, painstaking negotiations to arrange for the world premiere of his Aida at Cairo's Khedivial Opera House, and in the event the proposed January opening fell victim to the Franco–Prussian War, which trapped the sets and costumes (not to mention the scenarist, Auguste Mariette) in Paris. Verdi had to wait another eleven months before the project came to fruition, and it took place without the composer in attendance, as he had decided the trip was too arduous to be worthwhile.

Could any of the participants in that cultural milestone for Cairo have imagined that one day whole seasons of opera from another continent could be wafted over the airwaves to Egyptian shores? spacer 

LOUISE T. GUINTHER

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Current Issue: April 2014 — VOL. 78, NO. 10