Recorded sound is not necessarily accurate or fair. Like a photograph, it carries the promise of realism, deceiving us into believing that what we're hearing (or seeing) is 100% representational — a duplication of a live experience — when in fact it isn't at all.
Sondra Radvanovsky is an estimable artist, a soprano capable of delivering thundering fortissimos and a keening line in the Verdi repertory. But in my opinion, her latest CD, entitled Verdi Arias and reviewed in our upcoming August issue, shows off the singer's power but not her strengths. Now, Delos is what we might call a boutique record label. But even so, the engineer could have given us something better than a big, fuzzy soprano sound drowning in reverb.
Having seen Radvanovsky live at the Met as Elvira in Ernani and Leonora in Trovatore (selections from both operas appear on the CD, and excerpts can be heard below), I can testify to her distinctive timbre, dynamic range and, above all, tonal clarity — to say nothing of intangibles like her warmth and dramatic alertness.
The disc puts me in mind of Dolora Zajick, a colossus of the dramatic mezzo repertory, who also recorded an album of Verdi arias that seemed to miss the point of her art. Let's hope that Radvanovsky finds a sound engineer as loving and solicitous as the ones Renée Fleming enjoys over at Decca, the kind of collaborator who can lavish attention upon her voice so that we might better enjoy it.
— Oussama Zahr
"D'amor sull'ali rosee" from Il Trovatore
"Tutto sprezzo che d'Ernani" from Ernani