Editor's Desk

Staged Reading

(Observations, Brian Kellow, Keeping it Local, Broadway, Arts Journalism, New York City, Theater) Permanent link

There's something about a long career on Broadway that makes lots of people think that their experiences are worth putting down in book form; over the years, I've known rehearsal pianists, dressers, chorus boys and stage hands who were busily scribbling their memoirs, most of which never saw the light of day. Now, one of Broadway's respected press agents, SUSAN L. SCHULMAN, has succumbed to the temptation. The result, Backstage Pass to Broadway: True Tales from a Theatre Press Agent, has just been published by Heliotrope Books. In Schulman's case, her efforts have been worth it; she's written a funny, sometimes shocking book about the things she's seen on Broadway for the past forty-plus years. (She got her feet wet in 1970 with Applause, starring the famously dyspeptic LAUREN BACALL, something that probably would have had most fledgling press agents applying for the night shift at Howard Johnson's.) Schulman is admittedly star-struck; there's a gosh-gee-whiz quality to many of her anecdotes, but her book is best when she's chronicling bad behavior: DAVID MERRICK's young wife NATALIE, LESLEY ANNE WARREN and JOHN DEXTER come off worst. If only most people who work in the opera industry were half this candid about their experiences, my job would be a lot more fun. 

BRIAN KELLOW

The Pop Side

(Brian Kellow, Crossover, Keeping it Local, Broadway, Musical Theater, Theater, Cabaret) Permanent link

Anyone who wants a juicy demonstration of savvy, old-time show-biz razzle dazzle shouldn't think of missing Sin Twisters, the new club act starring ANITA GILLETTE and PENNY FULLER at Manhattan's popular theater-district nightspot 54 Below. I attended the opening on October 2. Sharply and confidently directed by BARRY KLEINBORT, Sin Twisters is frequently hilarious, frequently touching, and even more frequently awe-inspiring. Gillette and Fuller never attained top Broadway stardom, but they are two of the most respected and versatile actresses of their generation — what used to be called darlings of the theater. The show's title is a spoonerism — a treasured gag that runs through the show, adding to its infectious spirit. ("Pit it, Haul!" Gillette called out at one point to musical director PAUL GREENWOOD, whose stylish pianism and gorgeous vocals added immeasurably to the evening. I should probably admit here that I've always been a sucker for spoonerisms, "Ballulah Tankhead" being my own personal favorite.)

In this generously programmed act, both Gillette and Fuller showed crack comic timing and solid vocals, as they wove their way through a loose narrative that ticked off high points of their careers but never became stale or predictable. A raucous high point was Gillette's ultra-swacked rendition of "If I Were a Bell," from Guys and Dolls; she reached a stunning emotional peak with "Isn't He Something?" from Stephen Sondheim's Bounce, and the gorgeous "Once Upon a Time," from All American, which she sang with Fuller. (I've never known anyone of a certain age who didn't succumb to this lovely song). I had always considered "One Halloween" one of the junkier numbers from the 1970 musical Applause, a show that an Encores! concert presentation of a few years ago proved is beyond reviving. But in Fuller's expert hands (she received a Tony nomination for the role of Eve Harrington), it was magical — an example of a real artist transforming her mediocre material. In duet, Gillette and Fuller shone in "Little Me" and a medley of tunes from Cabaret; both actresses had their turn playing Sally Bowles on Broadway. The audience, which included SHELDON and MARGERY HARNICK, JOHN GLOVER, HARVEY EVANS, SONDRA LEE, MALCOLM GETS and LEROY REAMS, came away with a bracing sense of two women who have gotten the most out of their careers and still have many premium performing miles to go. They'll reprise Sin Twisters at Club 54 on October 9. spacer 

BRIAN KELLOW


Follow OPERA NEWS on FacebookTwitter Button 

Current Issue: December 2014 — VOL. 79, NO. 6