On the Beat

On the Beat

The Gershwins’ Porgy and Bess nears the end of its Broadway run; enterprising Opera Southwest mounts Rossini’s seldom-heard Otello — with your choice of endings.

WHEN YOU LIVE IN NEW YORK, there are many easy ways to talk yourself out of going to Broadway shows: you’ll see it later in the run; you’re tired and would rather order in and watch Revenge; you’re go...

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Current Issue: October 2015 — VOL. 80, NO. 4