Broadcast

Metropolitan Opera Live in HD Broadcast: The Tempest 

Transmission of Saturday, November 10, 2012, 12:55 P.M.

Live in HD The TEmpest hdl 1112
Thomas Adès’s The Tempest in Robert Lepage’s production
Québec Opera Festival/photo by Nicola Vachon
The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation.
Bloomberg is the global corporate sponsor of The Met: Live in HD.
The HD Broadcasts are supported by Toll Brothers, America’s luxury home builder®.
 
The Tempest  

Music by Thomas Adès
Libretto by Meredith Oakes
THE CAST (in order of vocal appearance)
Miranda     mezzo, ISABEL LEONARD
Prospero     baritone, SIMON KEENLYSIDE
Ariel     soprano, AUDREY LUNA
Caliban     tenor, ALAN OKE
Ferdinand     tenor, ALEK SHRADER
Sebastian     bar., CHRISTOPHER FEIGUM
Trinculo     countertenor, IESTYN DAVIES
Antonio     tenor, TOBY SPENCE
Gonzalo     bass-baritone, JOHN DEL CARLO
King of Naples     tenor, WILLIAM BURDEN
Stefano     bass, KEVIN BURDETTE

Conducted by THOMAS ADÈS

The Metropolitan Opera Orchestra
The Metropolitan Opera Chorus

Production: Robert Lepage
Set designer: Jasmine Catudal
Costume designer: Kym Barrett
Lighting designer: Michael Beaulieu
Video designer: David Leclerc
Choreography: Crystal Pite
Chorus master: Donald Palumbo 
Musical preparation: Bradley Moore,
     Caren Levine, Natalia Katyukova,
     Matthew Aucoin, Timothy Redmond
Assistant stage directors: Rebecca Blankenship,
     Gregory Anthony Fortner,
     Peter McClintock, Sarah Ina Meyers
Assistant choreographer: Katherine Cowie
English coach: Felicity Palmer

Production a gift of Mrs. Bert S. Turner and
     Robert L. Turner

Additional funding from the Wyncote Foundation,
     as recommended by Frederick R. Hass
     and Daniel K. Meyer, M.D.

A coproduction of the Metropolitan Opera,
     L’Opéra de Québec, and the
     Wiener Staatsoper, Vienna
In collaboration with Ex Machina

Directed for Live Cinema by Gary Halvorson
HD host: Deborah Voigt

This performance will be transmitted live, in
     high definition and surround sound, into
     selected movie theaters, and will be shared
     with students in more than 100 U.S. schools
     as part of the Met’s HD Live in Schools program.
     For information on tickets, visit
     www.metopera.org/hdlive.

Thomas Adès (b. 1971) was already regarded as one of classical music’s brightest talents by the time his first opera, Powder Her Face, had its world premiere at the Cheltenham Music Festival in July 1995. Powder Her Face was a chamber work of such daring and brilliance — and notoriety — that Adès’s second opera was eagerly anticipated. Thecomposer received a commission from Covent Garden for a new work but did not hit on a satisfactory subject until he began work with librettist Meredith Oakes (b. 1946) on an adaptation of Shakespeare’s Tempest

The Tempest had its world premiere in a production by Tom Cairns at the Royal Opera House, Covent Garden, on February 10, 2004, and was hailed as a masterwork. Adès conducted the premiere run and the Covent Garden revival of 2007, which was recorded by EMI. The first Tempest cast was headed by Simon Keenlyside (Prospero), Cyndia Sieden (Ariel), Kate Royal (Miranda), Toby Spence (Ferdinand) and Ian Bostridge (Caliban). Sieden and Spence repeated their roles in the U.S. premiere of The Tempest, staged by Jonathan Kent for Santa Fe Opera in 2006. Other Santa Fe Tempest principals included Rod Gilfry (Prospero), William Ferguson (Caliban) and Patricia Risley (Miranda), with Alan Gilbert conducting.

The Met premiere of The Tempest, staged by Robert Lepage and conducted by Adès, took place on October 23, 2012. Keenlyside was Prospero, with Isabel Leonard (Miranda), Alek Shrader (Ferdinand), Audrey Luna (Ariel) and Alan Oke (Caliban) singing other leading roles.

THE STORY 

Prospero has been usurped as Duke of Milan by his brother, Antonio. With the support of the King of Naples, Antonio had Prospero put out to sea on a rotting ship with his daughter, Miranda. They survived thanks to the King's counselor, Gonzalo, who supplied them with food and clothing. They ended up on an island where they now live. Meanwhile, Antonio enabled the King of Naples to take control of Milan. 

ACT I. Miranda suspects that the magic practices of her father, Prospero, are responsible for a huge storm that has sunk a passing ship. Prospero informs her that the people on board were the court of Naples. They are his enemies, whom he has shipwrecked in order to punish. He recounts the story of being usurped and conjures his daughter to sleep. Prospero then summons his spirit, Ariel, who describes to him how the tempest has destroyed everyone on board the ship. Prospero instructs Ariel to revive them and bring them to the island. 

Caliban appears, heir to the late ruler of the island, Sycorax. Prospero's power keeps Caliban from his rightful inheritance, and he curses Prospero for mistreating him. Caliban, lusting after Miranda, is threatened by Prospero, then banished to his cave.

Ariel reports on the shipwrecked, now brought ashore and restored. Prospero orders Ariel to bring him Prince Ferdinand, son of the King of Naples. Prospero wants the King and the courtiers to suffer by thinking that Ferdinand has drowned. In exchange for this help, Ariel asks to be released from servitude. Ariel sings of the fate of Ferdinand's father, thereby luring Ferdinand ashore. There, he finds Miranda, who wakes, thinking him a creation of Prospero's. She wonders at the sight of another human and they fall instantly in love. Prospero is startled that his spell on Miranda has been broken and is angered by Ferdinand's interest in his daughter. He immobilizes Ferdinand and sends Miranda away. He then calls on Ariel and prepares to further his vengeance on the rest of the court.

ACT II. Washed up on the island, the courtiers discover no trace of the storm; it is tranquil and their clothes are dry and in perfect condition. Stefano and Trinculo are confounded by the lack of damage and drunkenly relive the terror of the storm. Unseen, Prospero instructs Ariel to taunt the court. The King weeps for his lost son and Gonzalo tries to give him hope. Antonio says he saw Ferdinand swimming toward the land, but, using the voice of Sebastian, the King's brother, Ariel insults Antonio and an argument begins. Caliban appears and is mocked by the courtiers who give him jewelry and alcohol, which he feels makes him strong. The sound of Ariel's voice is heard, frightening the courtiers who believe it to be a ghost. They are calmed as Caliban describes the sounds and voices of the spirits of the island, which make him dream he's in paradise. Asked who his master is, Caliban is silenced by Prospero. Gonzalo presses the group to search through the jungle for the prince.

Stefano and Trinculo doubt that Ferdinand will be found alive. Caliban tells them that his master is responsible for the disaster and asks for their help to regain his land. In exchange, Caliban falsely offers Trinculo and Stefano both Miranda's hand in marriage and kingship of the island.

Ferdinand faces a future of imprisonment on the island, but he is comforted by the thought of Miranda. She expresses her feelings for him and Ferdinand replies in kind. This breaks Prospero's spell and Ferdinand is released. As they leave, Prospero realizes he has lost Miranda to a stronger power than his own: love.

ACT III. Stefano and Trinculo are nearing Prospero, and Caliban contemplates his approaching freedom. Meanwhile, Ariel has led the shipwrecked on a twisted journey across the island. He asks to be released, but Prospero won't yet let him go.

The King and courtiers enter, so weak they can hardly walk. They believe they will all die of hunger and that Ferdinand is dead. The King decides to disinherit his brother, Sebastian, and nominates Gonzalo as his heir.

Lulled by Ariel's music, everyone falls asleep except Antonio and Sebastian. They plot to murder both the King and Gonzalo in order to seize power. Ariel wakes everyone, and Sebastian and Antonio claim to have heard strangers about. Ariel causes a strange feast to appear, which Gonzalo sees as a sign of beneficence from heaven. Gonzalo dwells on the thought of reigning over a land such as this. The food vanishes and Ariel appears as a harpy, leveling crimes against the courtiers who now face a wasting, slow extinction. Afraid, they all flee to another part of the island.

Prospero realizes that through his magic he has brought hell to the island. Miranda takes Ferdinand to Prospero and tells him that they are in love. Prospero summons Ariel to bless them. Prospero's revenge being done, Ferdinand discovers that his father is still alive. Caliban enters and demands Miranda for himself. Miranda rejects Caliban, and Prospero immobilizes him. Ariel describes how the King and Antonio are demented with fear and horror. If he were human, Ariel would pity them. Moved by the spirit's feelings, Prospero resolves to be merciful and vows to release Ariel within the hour.

The King and courtiers appear, and Prospero reveals himself to them. Antonio, who thought he had killed Prospero, is astonished, and the King asks to be forgiven. Prospero reveals Ferdinand and Miranda to the King, who can barely believe his son is alive. Ferdinand introduces Miranda as his wife. The courtiers are surprised to find both their prince living and their ship repaired, and the King announces the match between Naples and Milan. Prospero offers forgiveness to Antonio, who rejects it. Prospero resolves to relinquish his magic powers. As he breaks his staff, he begs Ariel to stay with him, but Ariel flies away to freedom. Caliban is left alone on the island.

Reprinted courtesy of the Royal Opera House, Covent Garden 

THE BACKGROUND 

The Tempest, Thomas Adès's second opera, had its world premiere in a production by Tom Cairns at the Royal Opera House, Covent Garden, on February 10, 2004.  Adès conducted the premiere run. Alan Gilbert led the U.S. premiere of The Tempest, staged by Jonathan Kent for Santa Fe Opera in 2006. The Met premiere of The Tempest, staged by Robert Lepage and conducted by Adès, took place on October 23, 2012. Simon Keenlyside, who created the role of Prospero at the 2004 world premiere, headed the Met cast, joined by Isabel Leonard (Miranda), Alek Shrader (Ferdinand), Audrey Luna (Ariel) and Alan Oke (Caliban). 

WHAT TO READ AND HEAR 

Thomas Adès: Full of Noises: Conversations with Tom Service (Farrar Straus and Giroux) is a good introduction to the composer. EMI's recording of the 2007 revival of The Tempest at Covent Garden, conducted by Adès, includes a copy of the libretto by Meredith Oakes. 

Shakespeare's play is readily available, with or without commentary, in a variety of paperback editions. Naxos has released an audio recording of The Tempest on CD, with Ian McKellen as Prospero, Emilia Fox as Miranda and Benedict Cumberbatch as Ferdinand. The University of Oxford offers a Tempest podcast (podcasts.ox.ac.uk/tempest-audio), with Emma Smith lecturing on the play. 

There are several Tempest videos, the most interesting of which is Julie Taymor's 2010 film (Touchstone), which features a female Prospero, Helen Mirren. Also compelling — if definitely for mature audiences — is Prospero's Books, a Tempest-themed fantasia from 1991 by Peter Greenaway, with John Gielgud as Prospero (Allied Artists). Those who want a more straightforward presentation of The Tempest on video might like John Hirsch's 1982 production from the Stratford (Ontario) Festival, with Len Cariou as Prospero. spacer 

Send feedback to OPERA NEWS.



Follow OPERA NEWS on FacebookTwitter Button 

Current Issue: January 2015 — VOL. 79, NO. 6