On the Beat
On the Beat
Elias makes her Broadway bow in Follies at eighty-two; 1980s Met favorite Mitchell returns to New York in excellent form; First Things Last never finds its center.
by BRIAN KELLOW
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Heidi (Elias) with producer Dimitri Weissman (David Sabin) in Follies at the Kennedy Center
© Joan Marcus 2011
ROSALIND ELIAS'S CAREER is, by any standards, remarkable: it's been artistically distinctive and challenging, long-lasting and without real interruption. In 2007, when I saw her in RICKY IAN GORDON's ...
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