Grand Ole Opera
MARK THOMAS KETTERSON grew up opera-deprived in country-music-dominated Nashville. Now he returns to his roots to find the lyric art holding its own in his hometown.
Barry Steele, lighting and visual effects designer for Nashville Opera’s The Fall of the House of Usher, capturing video of Jennifer Zetlan, costumed as Madeleine Usher, at the Liff Center
© Reed Hummell 2010
"So, what brings you to Nashville?" I'm signing documents at the Avis counter in my erstwhile hometown of Nashville, Tennessee, where I have been dispatched by OPERA NEWS to review Philip Glass's The ...
In order to view this article, you must be a subscriber. If you already have an account, please enter your username and password.
If you are not already a subscriber, please Subscribe.