Gianna
Rolandi has been named as the new director of the Lyric Opera
Center for American Artists, Lyric Opera of Chicago's young artists
training program, where she will succeed Richard Pearlman, who
passed away on April 8 after serving for more than a decade as the
program's director.
Rolandi, who worked closely with Pearlman following her appointment
as the Opera Center's director of vocal studies in May 2002, has
been serving as acting director of the program since Pearlman's
death.
"I am thrilled to accept the position of director of the Opera
Center," Rolandi said in a press release issued by the company
today. "It brings me great joy to continue the legacy of my dear
colleague Richard Pearlman, and it is a privilege to play a part in
helping these tremendously talented young singers realize their
dreams."
"Gianna has been with us as director of vocal studies for the past
four years - no one understands the program and how it functions
better than she does," William Mason, Lyric's general director, is
quoted as saying. "She brings her personal experience as a singer
to the program, and has proven herself to be a superb teacher. Many
of the young singers she has worked with have already launched
distinguished careers."
Per Rolandi's appointment, her previous duties as director of vocal
studies will be incorporated into her new role. The position of
director of vocal studies being made obsolete.
As director of the LOCAA, Rolandi will oversee all aspects of the
center's activities and operations, the company reports, including
traveling to preliminary and final auditions; overseeing each
artist's vocal and artistic development; selecting guest teachers
and resident faculty for the program's curriculum; planning concert
engagements and recitals for the artists in residence; and working
closely with the Lyric's administration to cast LOCAA members for
the company's mainstage season. In addition, Rolandi will oversee
the artistic components of the company's two major educational
outreach programs, "Opera in the Neighborhoods," and "Meet the
Artists."
Founded in 1973, the LOCAA selects a dozen young singers - out
of some 500 applicants - to participate in the program each
year. Those selected are given coaching sessions, master classes,
and performance and understudy experience in Lyric Opera of Chicago
productions.
Rolandi, prior to working as an administrator, led a successful
career as a coloratura soprano during the 1980s and early-'90s,
singing extensively at New York City Opera, where she took part in
productions including
Tales of Hoffmann,
Ariadne auf
Naxos,
I Puritani,
La Traviata,
Rigoletto
and
Giulio Cesare, as well as singing in
Live from
Lincoln Center telecasts of the company's
Lucia di
Lammermoor and
The Cunning Little Vixen. She made her
Metropolitan Opera debut as Sophie in the company's 1979
performances of
Der Rosenkavalier, and went on to sing
Olympia and Zerbinetta at the Met, as well as the title role in the
company's 1984 performances of
Le Rossignol, part of its
Stravinsky triple-bill. She formally retired from the stage after
1993-94 Lyric Opera of Chicago Despinas.

More information can be found at the
Lyric Opera Center for American Arists, the Lyric Opera of Chicago and the Opera News Archives.
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