This month, Robert Carsen brings his new production of
Iphigénie en Tauride to the stage of Lyric Opera of
Chicago. ADAM WASSERMAN spoke with the director about Gluck's
singular dramatic disposition and why Iphigénie may
just be the darkest opera in the repertory.
In order to view this article, you must be a subscriber. If you already have an account, please enter your username and password.